Die Knowing Something

Paris, immersion…

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kennethdickerman:

Would anyone care about this work if Christopher Anderson hadnt spent years toiling away in the festering pussholes of the earth? Would this body of work have granted him access to the hallowed halls of VII or Magnum? Would he be “relevant” today, showing only this body of work? Just pondering.

I, for one, think this work is intensely beautiful. I can look at it for hours and I hunger for more. I’ll go to the Magnum archives and search for more of the work and look and look. In fact, I like this work more than alot of his previous stuff. But, these days Im also drawn to much more personal, diaristic work anyway.

Regardless of whatever philosophical questions about “relevance” this body of work pings in me—plenty of people are throwing accolades its way. See NYTimes lens blog here, for example. He is also taking the show on the road in workshops and galleries, including the Magnum Gallery in Paris, here.

newyorker:

Lovings at Home

In 1950, a young man from Central Point, Virginia, went seven miles down the road to hear some music. Seven brothers named the Jeters were on that night, playing bluegrass in a farmhouse. The young man had come for the music, but couldn’t help noticing a young woman in the audience. The man, Richard Loving, was white; the woman, Mildred Jeter, was black and Cherokee. Seventeen years later, as a result of their meeting, the Supreme Court struck down Virginia’s Racial Integrity Act, along with anti-miscegenation laws in fifteen other states, ending the legal prohibitions against interracial marriage.

On view until May 6th at the International Center of Photography, “The Loving Story” highlights the human element of the Loving v. Virginia case, bringing the ardor that fueled the Lovings’ half-decade of appeals into heart-rending focus…

- For more selection of photographs of Richard and Mildred Loving: http://nyr.kr/wLrC3t

Severin Koller: A Critique on Street Photography →

severinkoller:

After years of practicing Street photography and following the development of the genre and its photographers, I’ve started to think more theoretically about the topic and what it means to me.

In the last seven years of photographing, I’ve went trough many different stages and lately I’ve become…

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Peaceful pears, Piemonte Italy.

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Birthdays keep us childlike. They remind us that what is important is not what we do or accomplish, not what we have or who we know, but that we are, here and now. – Henri Nouwen

Happy First Birthday Colette LaCour!

Sigh, lovely, lovely.

Taylor Davidson: It’s not Life’s responsibility to make our lives great. That’s up to us. →

taylordavidson:

It’s not Life’s responsibility to make our lives great. That’s up to us.

Life’s a party, New Orleans, LA, Oct 2011

It’s not Life’s responsibility to make our lives great, happy, meaningful, fulfilling, enjoyable, adventurous. That’s our responsibility, and it comes from every choice we…

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“You can’t make a great musician or a great photographer if the magic isn’t there.” - Eve Arnold

"Real moments seldom react properly to flash."

— Chris Weeks (via ryanmuirhead)

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heymiki:

photographyprison:

Julianne Moore poses as one of my fave Egon Schiele paintings. Swoon. (I know I’m a sucker, but I’ve an excuse: It’s Art, innit?)

Swoon is right.

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Union Station, Chicago.

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Thanks @davidwittig for unearthing this gem from my raw take!

Union Station, Chicago. Leica M9.

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Two in low country, Richmond Hill, Ga.